Quicksand Chronicles

Volume 133

Seven more scenes involving quicksand encounters.

Jesse After Hours 1409

This one begins with Jesse and Fred (off camera) having a glass of wine to celebrate the completion of a successful shoot. Jesse says she thought the shoot went very well but she is disappointed to not get to use the "new pit." Fred agrees, saying the pit just isn't quite ready. Its difficult to build a pit in the middle of a swamp. Fred then says he is tired and going to bed. As soon as he is gone she grabs a towel and flashlight from her bedroom and heads outside to the new pit. "What Fred doesn't know won't hurt him." The rest of the scene is her pleasure wallow in the new swamp pit.

Drunk_Alley   1410

Alley comes out of a rural bar called the Sucking Toad Bar, Grill, and Troublespot, having gotten so drunk they have taken away her keys. She tries to walk home. Of course there is a peat bog in the way. She blunders into the bog but does not seem to recognize any danger, even as she sinks to the brink of going under, which she does.

Poetry Slam_Brittani   1411

. I this scene which I think is best classified as avant garde, Brittani reads a poem about quicksand, slathers herself with wet clay, and then enters the pit to sink. Just before going under she delivers a line that will be meaningful to those of us who have been around the quicksand video scene long enough, but little to the members with lesser tenure here.

Duet Chase and Sacrifice   1412

As the scene opens, Taylor and Dee are both being chased by some sort of pirates, albeit separately. They meet and continue to flee but are soon caught. Next, we see them side by side, tied to short trees and facing what they recognize as a pit of quicksand. After a short while we see Dee's hands untied and then she is pushed in. Taylor cannot help because she remains tied. As Dee sinks and goes under we can see that Taylor is becoming turned on. Once Dee has gone under, Taylor figures its now her turn and she seems quite eager. Then her hands are untied and she is pushed in. She goes under quite happily. This scene will be noted for two very nice, slow submersions.

Escape from Pirates?  1413

Pirates have taken Elvira's ship and left her shirtless and tied to a tree. Sge struggles to get free and eventually does, although her wrists are still tied to each other. She runs away, fearing what the pirates might do if they catch her. She tries to work her way around a muddy spot but slips in. Things just get worse from there.

Gumball Sacrifice_Kindle  1414

Visiting the PsychicWorld JungleLand theme park, Kindle comes to the JungleLand Bar and Grill. She greets Fred, who is always there, and Stefani, and then spots the gumball machine. She puts in a quarter, despite Fred's warning and immediately vanishes. In an instant she is deep in the jungle. Oh, did I mention it is night time? Three times she is greeted by the "medicine man" who thanks her for agreeing to be tonight's sacrifice. She agrees the third time. Suddenly she is stripped topless, her hands are tied behind her back, and she is standing ankle deep in a peat bog, The rest of the scene will be recognized, in my opinion, as one of the slowest but steadiest sinks ever filmed. Her reaction is one of pleasure all the way through the scene.

Jealousy_Angelique and Hannah 1415

This one begins with Angelique discovering her husband is having an affair with Hannah. She calls Hannah and disquises pretends to be her husband, saying she (he) has a cold and sets up a meeting. Her intent is to confront Hannah and teach her a lesson. The meeting takes place and a pretty good fight takes place. Hannah run away and Angelique chases her. Angelique catches up with Hannah at the edge of a mud it. The rest you can pretty well figure out - neither survives.

The price for this video is $35.00 plus shipping, with the later dependent on the destination. You can also obtain the same set of seven scenes in high definition, by download for $50.00 or mailed on a DVD-ROM for $50.00 plus shipping. This price is only good when ordered as a set.

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